James Islington’s “The Shadow of What Was Lost” is a part of the epic fantasy genre. The book maintains a steady pace, balancing action with reflective moments. The plot develops in a way that keeps readers interested without feeling rushed, allowing for character growth and a gradual unveiling of the story’s intricacies. While some sections may seem slower, the author skillfully uses these quieter moments to build tension and set the stage for the climaxes that follow.
Set in a richly-imagined world, the story takes place in a land healing from a devastating war and the emergence of cryptic powers. World-building is one of the novel’s standout features. The author creates a sense of history and depth, introducing an intriguing magic system linked to the “Augurs” and their abilities. This magic system is both complex and layered, suggesting secrets and ancient wisdom that unfold over time, enriching the world and inviting deeper exploration.
What distinguishes “The Shadow of What Was Lost” from other fantasy novels is its unique blend of elements. First, the protagonist, Andrien, is part of a group of young, often underestimated characters who must rise to the challenge, providing a refreshing twist on the “chosen one” trope. Second, the book features a multifaceted political landscape and a history of societal divisions, adding depth to the narrative beyond the main characters’ journeys. Lastly, the overarching theme of the struggle for control over magic and knowledge lends a philosophical richness to the story, elevating it beyond a typical action-driven plot.
In summary, “The Shadow of What Was Lost” is a promising beginning to the Licanius Trilogy. It combines thoughtful world-building, engaging characters and a fresh perspective on familiar themes.
